Bruneau Ph., Torelli M. Sculpture. From Antiquity to the Middle Ages. Part 1: The Great Art of Antiquity

London: Thames & Hudson Ltd, 1985. — 252 p.: illus. — (World of Art). Language: English For most people there is no more satisfying expression of Greek art than its sculpture. It was the first, the only ancient art to break free from conceptual conventions for representing men and animals, and to explore consciously how art might imitate or even improve upon it. The first...

London: Thames & Hudson Ltd, 1995. — 248 p.: illus. — (World of Art). Language: English This is the last in the series of Sir John Boardman's acclaimed handbooks on Greek sculpture; a sequel to similar volumes on the Archaic and Classical periods. Here, the story continues through the fourth century B.C. to the days of Alexander the Great. The innovations of the period are...

Cologne: Taschen, 1998. — 246 p. Иллюстрированная монография о творчестве Густава Климта. Klimt's worldwide popularity could be illustrated with many similar episodes. It can be seen in the undivided appreciation of a very broad international public as well as those with an academic interest in art and social history. It is likely that no other Modernist artist has ever...

Taschen, 1997. — 240 p. — (Big Series Art). — ISBN10: 3822872210 / ISBN13: 9783822872215 An account of Picasso's work, featuring colour illustrations throughout. One name in the history of the 20th century art stands out over all others: Pablo Picasso (1881-1973). As painter, graphic artist and sculptor, he displayed an inventive enterprise and innovative bravado that always...

М.: Радуга, 1990. — 319 с., 96 л. ил. — ISBN 5-05-002585-0, 5-05-002589-3. Джулио Карло Арган - известный итальянский искусствовед, один из ведущих представителей современного искусствознания и художественной критики. Его фундаментальный труд охватывает историю итальянского искусства, начиная с античности и средневековья и вплоть до романтизма и футуризма, хотя основное...

М.: Искусство, 1975. — 220 с. Из всего богатейшего художественного наследия Древнего Рима скульптурному портрету принадлежит едва ли не первое место. Его развитию от суровых, лаконичных образов к более психологическим, от изысканных к пышно нарочитым, а затем канонически отвлеченным - посвящен этот сборник. Глубоко и интересно раскрывают авторы специфику пластического языка...